(from Keith Richards Facebook page)

April 9th 2017


To Put Chuck Berry into words! That is a task.

If I flip the coin and wonder how the fuck Chuck Berry reacted to me when he first heard my feeble efforts to spread his groove, my guess is a disdainful chuckle and then a gleam as he imagined the royalties roll in. Then a realization that his music was far more important than he had ever imagined. (He did thank me for that). And, let’s face it, Chuck had imagination. Just check the songs. All is revealed on “Monkey Business”, “Wee Wee hours”, “Jo Jo Gunne”, “You Can’t Catch me”, “Childhood Sweetheart”… let alone on “Johnny B. Goode”, “Little Queenie” or “Around & Around”. It goes on and on: “Let it Rock”, “Sweet Little Sixteen” or the heartbreaking “Memphis.”

You have to hear the original recordings to get the whole picture. Let us make no mistake about him. His inventiveness, natural exuberance, brought all of the variations of this vital music together, be it Rockabilly, country, R & B, Jazz or pop. His own roots went wide and deep, even back via Louis Jordan to the big bands. But we’re talking about a complicated and thoughtful man here. Listen to “No Money Down”, the incredible “Bye Bye Johnny” with its reversed riff. As a lyricist his imagination, the themes and subject matter took songwriting to a level yet to be matched. Who else could come up with “Too Much Monkey Business”. Throw in as well “No Money Down”, “Memphis, Tennessee" and “You Can’t Catch Me” … a song that John Lennon reworked with “Come Together”. And then there were the guys he worked with; Johnny Johnson, on piano, an icon of boogie and feel; Willie Dixon, the BASSMAN!; Freddie Below and Ebbie Harding on drums.

He was a very guarded and private man, essentially warm hearted, though he spent a lot of time disguising that fact which could give the opposite impression. Hard to know, moody, but when you got him at the right time, beautifully friendly. It’s hard to find the words to describe his contradictions: warm, infuriating, moody, disarmingly charming, angry . He once gave me a black eye for daring to touch his guitar. Quite Right!!! I called it Chuck’s greatest Hit.

At the moment I sense the same feeling I had at 15 years old when Buddy Holly died. A sickening thud to the guts and a feeling of losing a member of the family. For me the world went from black to white to glorious Technicolor when I first heard “Little Queenie”. There was no doubt in my mind: It was obvious what I had to do and I haven’t changed since. The effortless ease with which he laid down the rhythm makes a mockery of countless grimacing lip biting agonizing imitators.
I’m still working on it.

He brought joy to us; the feeling for a fifteen year old guitar player that there was more to life than seemed possible. With the exuberance, he brought a casual ease and a rhythm that makes bits of your body move you didn’t know you had. In essence, he was a revelation. I ain’t 15 no more but the joy remains.


13 comments,3 shares,34 likes
almost 2 years

Very interesting thanks so much for sharing 👏❣️

almost 2 years

Beautiful share! Thanks @cllakes

almost 2 years

Chuck was so gentle and sweet in his music. Always some humour and Always some swagger. Rocked so effortlessly. Moved so graceful and always cool..
When I teach guitar my students of any age light up over the Johnny B Goode intro. They know thats Rock and Roll...timeless🎸

almost 2 years

I will have to like his Facebook page and look for it! Crazy that I belong to all these Rolling Stones groups but never liked Keith Richards Facebook page?!

almost 2 years

you're welcome @chuckstar - there was a short video clip with it, but I didn't know how to save and post it!

almost 2 years

thank you for posting this!

almost 2 years

Not sure if Keith gave this eulogy today at Chuck Berry's funeral in St. Louis but I'm sure Chuck felt him - RIP Chuck - we will always remember you strutting into Blueberry Hill for your 10 o'clock show!